![]() ![]() Until now, I have never taken the time to do a comprehensive head to head test of our various pitching options. It's finally time to solve this question. Is there a one size fits all option for pitching? Or perhaps some plugins work better in certain situations than others. The clients were happy and we moved on.īut it got me thinking about various pitch plugin options. So I pivoted and loaded up the Pro Tools Legacy Pitch plug-in, which sounded much better. I was very surprised to see it sounded pretty bad. I put Celemony's Melodyne on an insert, ran the dialogue through it and pulled the pitch down a few semitones. ![]() The other day however, I was asked in a mix to pitch a short section of dialogue. If a client wants a character pitched I’ll typically find out well ahead of the mix, giving me time to mess around with various pitching plugins to find the right fit. Making a villain scarier by pitching their performance down, helping to match a child actor's ADR to the original performance after their voice has changed, or distinguishing two roles played by the same actor are all good use cases. Every now and then we need to globally pitch the dialogue of a certain character.
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